EBONY, the iconic brand serving as the leading voice of the Black American experience committed to “Moving Black Forward,” has unveiled its Februarydigital cover experience celebrating the life and legacy of fashion
and cultural icon––the lateAndré Leon Talley. For this special edition, EBONY pays homage to the legendary style pioneer with a stunning illustration created by Chicago artist Brandon Breaux, who alsodesigned John Lewis’ book cover art.
The accompanying cover story features an exclusive tribute by Mr. Talley’s longtime friend––business mogul and supermodel Kimora Lee Simmons, as told to journalist Marjon Carlos.
“Through this cover experience, EBONY honors one of its most special alumni who went on to leave a lasting global cultural impact and influence that remains unmatched––not only in thefashion world but also to our culture…”
~EBONY Magazine
In a moving homage, Simmons details her friendship with the larger-than-life creative force that was André Leon Talley which began at the start of her modeling career. She shares some of her fondest memories of Mr. Talley – from him exposing her to art and architecture to dressing her for the MET Gala to their constant “kiki” sessions. Throughout the story, the Baby Phat CEO describes how strong their bond was as it was “forged by the struggle of being the ‘only one’ and breaking through as fashion’s unlikeliest darlings.”
Prior to his storied career at Vogue, Mr. Talley also served as a fashion editor at EBONY in the early 1980s. In his last book, The Chiffon Trenches: A Memoir, he recalled his time at EBONY as a “safe haven” that openly welcomed him and made him feel like family.
“Through this cover experience, EBONY honors one of its most special alumni who went on to leave a lasting global cultural impact and influence that remains unmatched––not only in thefashion world but also to our culture. We can never truly encapsulate all that André was and all that he meant but––with the help of Kimora Lee Simmons––we wanted to give a proper sendoff to this iconic figure in a way that showcases the dynamic person that he was and for it to comefrom someone who knew and loved him,” said Marielle Bobo, Editor-in-Chief and Senior Vice President of Programming, EBONY.
“He was a culture maker, a culture shifter and a ceilingbreaker. I, along with countless other Black journalists, stand directly on his shoulders as alasting testament to his legacy. As we celebrate Black History Month and prepare for Fashion Week this February, we had to take this opportunity to honor this man who was Black excellence and achievement personified – a true one-of-one.”
“As EBONY celebrates its one year anniversary since our relaunch in 2021, I am so proud of the work we are doing to cover important stories like this and the people like André Leon Talley who have helped to shape and define facets of our culture,” concluded Michele Ghee, CEO, EBONY & JET. “In that same spirit, we will continue to move Black forward!”
A special video package featuring heartfelt messages from Serena Williams, Tamron Hall, andmore rounds out this intimate tribute.
In addition to its cover story, EBONY is celebrating Black History Month with a series of related packages and stories including:
- Black History Month: EBONY Archives Revisited – A series featuring compelling articles and videos from EBONY’s past.
- Hidden Black History – A month-long series uncovering untold stories of Black trailblazers who shaped history in a variety of areas and fields from the world of wine and spirits to women innovators in STEM to an exploration of Black royalty and a tribute to visionary photographers.
- 28 Days of Black Love – This series explores the strength, beauty, and vulnerability of Black love, through a daily rollout of articles, inspirational art, poems and favorite films in the canon of the greatest Black love stories ever told.
EBONY also announced at the beginning of the month that it would, in partnership with OLAY,release a limited-edition EBONY commemorative print issue featuring the winners of its longest running editorial franchise––the reimagined HBCU Queens––as the cover stars. The EBONY x OLAY commemorative print issue is slated for release on February 11 marking International Day of Women and Girls in Science and will be available at all Barnes & Noble, select Target, HBCU stores, and retail chains nationwide.
Excerpts from EBONY’s Cover Story with Kimora Lee Simmons about the Life andLegacy of André Leon Talley
“There were a few [Black people in fashion], like Patrick Kelly, but André is one of the very few. And coming from the Deep South and just living in that time, and being able to stand on his own two feet and ascend to all the greatness he did… I realized that he’s kind of like a godfather [to me]. We’re like family.”
“My ‘godfather’ was friends with Andy Warhol and [Jean-Michel] Basquiat, so when I’m tellingyou the very essence of culture, that is him no matter how you slice that pie. It doesn’t matter what kind of culture. He’s always going to be there, from hip-hop to classical; art to architecture.”
“We’re always holding each other, kissing, whispering, giggling, covering the mouth, giving a side-eye. Oh, my God! We had code names for everybody in the industry. Life with André was like a kiki—a kiki of the classics.”
“He lived at the intersection of music, fashion and media–including hip-hop culture. All of your favorite hip hop glitterati sought him out as a conduit between urban culture and stylists, editors, and designers. That was one of his great gifts—cross-pollination.”
“André has inspired [Puffy, Pharrell, Will.i.am, Jay-Z, Mary J. Blige, and Kanye West]. He usedto call Puffy ‘Errol Flynn,’ which to me is evidence of his ability to reference eras and momentsand translate them into current moods and trends.”
“Fashion owes him a lot. He was one of the only Black people at Vogue forever. One of the only. To me, he is like Anna Wintour. To me, he is alongside Karl Lagerfeld or Yves Saint Laurent. He’s not necessarily a designer, but he’s a creative.”
Read the full story: EBONY Celebrates André Leon Talley .
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