The huge line that formed around the block in the western reaches of Chelsea on Thursday night wasn’t for a concert, a streetwear drop, or even a fashion show. It was
for the opening of Social Works, the first show curated by new Gagosian director (and GQ contributor) Antwaun Sargent, who joined the mega-gallery in January of this year. Featuring works by Theaster Gates, with 5,000 records from the personal collection of House music legend DJ Frankie Knuckles; an enormous limestone sculpture by David Adjaye; and a functional farm by Linda Goode Bryant, the show is about “art as a social act,” Sargent told the New York Times.
As enthralling as the art on display was the crowd, which brought people watching to a new level. (It was more like persona viewing.) Sargent’s universe has always embodied a particularly New York symbiosis between art and culture. The attendees at the show didn't disappoint, and reminded us that New York is in a new golden era of exuberant and expressive personal style. These are some of the best looks of the night.
Two fists full of rings, with chunky Doc Martens.
Y/Project leather pants, and a see-through Chanel bag.
Two takes on skirt-pants, and Bottega Veneta square-toed sandals.
A Jean Paul Gaultier-inspired hypnosis spiral bra top.
Jumpsuit and fanny pack colorblocking.
It's the return of the going-out look!
Artist Miles Greenberg in a perforated suit.
Nightlife pajamas with Tabi sneakers.
Printmania.
Some neutrals, in front of David Adjaye's huge limestone sculpture.
Blazers and shorts are officially authorized!
A big night for loafers and ladylike bags, and a Pyer Moss T-shirt at center.
A guest who secured a Telfar Bag, and suit to match.
An extreme mask.
A Mowalola cap with a nerdy-chic sweater vest.
A vintage textile-inspired jacket in front of a Theaster Gates installation.
Business blazers.
A guest in the front gallery, while the line grows outside.
Cow power.